SYNOPSIS:
Everyone has a secret...
Gabe Hyde is on borrowed time. He's been hiding his identity for over four years-hidden from the world that used to adore him--obsess over him--driven to the edge of insanity by one poor choice.
Gabe Hyde is on borrowed time. He's been hiding his identity for over four years-hidden from the world that used to adore him--obsess over him--driven to the edge of insanity by one poor choice.
But that one choice, altered the course of his
life forever.
Pretending isn't all it's cracked up to be,
especially when pretending means hiding your real self from the people that
care about you the most. But if anyone ever discovered the truth it wouldn't
just be his life at risk--but hers.
Saylor doesn't hate men.
Saylor doesn't hate men.
Just Gabe.
Only Gabe.
He's a reckless, happy-go-lucky, silver spoon
fed pain in her ass. Everything about him makes her more and more confused.
Unfortunately they both donate time at the same Group Home. If she wasn't afraid
of flunking, she'd be long gone. She hates that she's attracted to him almost
as much as he hates that he's attracted to her--and she can tell, especially
since their first encounter ended up making her knees so weak she couldn't form
coherent sentences for weeks afterwards. But the closer she gets to him, the
more confused she becomes. He isn't who he says he is, and he's hiding
something big.
What happen when two worlds collide? Two worlds that never should have met in the first place? Some secrets are too big to be hidden forever--the only question? Will his destroy everyone he loves? Or finally bring about the redemption he's been craving for the past four years?
Everyone has a secret...What's yours?
What happen when two worlds collide? Two worlds that never should have met in the first place? Some secrets are too big to be hidden forever--the only question? Will his destroy everyone he loves? Or finally bring about the redemption he's been craving for the past four years?
Everyone has a secret...What's yours?
EXCERPT:
Life has two stages.
Birth and death. That’s it. What you do in between the two? Well, that’s up to
you, isn’t it? —Wes M
Saylor
Behind me, Gabe ceased all motion. The only way I knew he was
still there was from the heat that seeped into my back from where his body
touched me. More warmth rolled off his hands where they seemed fused to mine.
Any minute now, I expected him to pull away, to slip into mask number one or
mask number two. Instead, he flipped my hands over, gripping them with his
fingers and exhaled, long and slow. Seconds went by, but they may as well have
been years. Each time he let out a breath, my heart skipped a beat of longing,
needing more of his touch — more of something. My back tingled as the hard
planes of his stomach pressed against me. I was in a Gabe cocoon.
And I loved it.
Until the music started.
With slight pressure, Gabe moved my hands to the piano, slowly,
effortlessly placing them on each key.
He was playing through me, using my body as an
instrument to convey the story of his life. Each time he pressed down on one of
my fingertips or guided me to another area of the piano, I felt the sadness of
the song clench deeper. The notes became floating tendrils of pain, each one of
them slowly invading my body and taking hold until it hurt to breathe.
He moved faster and faster, my hands couldn’t keep up. I pulled
back as he continued the song, in such a rush it was like he was yelling but
doing it with music. Unable to convey it in any other way.
With a final burst of movement, he lifted his hands off the
piano and smashed them against the keys, causing a chaos of notes to burst
forth.
Gabe’s breathing was uneven, ragged as he leaned heavily against
me, his chin resting on my head, and he whispered brokenly, “I can’t.”
“You were doing so good.”
“It’s like getting into a car with suicidal tendencies. You keep
going faster and faster, needing the adrenaline to keep you alive until
suddenly you turn the wheel and everything goes black. The notes, they go
higher and higher, and right when I feel like I can change the outcome — I
panic. Some things…” He sighed and pulled away. “Some things are better left in
chaos.”
“Are you sure about that? Are you sure about perfection?” I
folded my hands in my lap, but didn’t turn around.
“Sure.” He moved from behind me and sat on the bench. “If life
was perfect, how in the h*ll would we ever learn to depend on someone other
than ourselves? If anything, that’s what life’s taught me. The need to be
perfect is stemmed in the very belief that it’s actually something we can
achieve. Self-actualization — doesn’t exist.”
I licked my lips and looked down at the keys. “Does that mean we
don’t try then?”
“No.” Gabe tickled a few of the ivory keys in front of him, the
music note tattoos on his fingertips looking darker against the white of the
piano. “It just means when you reach the end of your rope, you shouldn’t regret
a da*n thing, but applaud yourself for trying to do the impossible.”
I felt like he was using double meanings. The philosophical Gabe
was a bit terrifying because he made me feel more insecure than the jackass
Gabe. But the guy sitting next to me right now? I was beginning to understand,
he wasn’t just one person. He was every person, everything, whatever he needed
to be, he was.
Like a chameleon.
And suddenly the ending to the story made sense.
Ten different notes all clamoring at once.
Chaos.
Gabe was Chaos.
“So.” He sniffed and cleared his throat. “Now that I’ve totally
ruined the moment by talking in my serious voice and scaring the s**t out of
you — why don’t we work on one of your performance pieces?”
“Okay.” I placed my hands on the piano again, careful to angle
my wrists at the perfect degree and keep my eyes on the music ahead. Sometimes
I wondered if my posture was better than my playing.
“What the h*ll are you doing?” he asked in calm voice.
“To go to battle?”
“What?” I relaxed my hands a bit. “No.” I straightened. “This is
the right posture, it’s—”
“If you say perfect, I’m going to kill myself.”
“Someone should have majored in drama.”
He burst out laughing. “Oh, honey, you have no idea.”
“So?” I lifted my wrists again and looked ahead.
“Fine.” He smirked. “Play just like that.”
“Okay.” I started one of my harder pieces, Piano Sonata 14. It
felt exactly the same. The movement wasn’t as fast as some of the others, but
the timing for it had to be perfect.
“Close your eyes,” Gabe instructed.
“But—”
He swatted my wrists. “No arguing with your piano master.”
“Fine.”
“Say ‘yes, master’.”
I smiled tightly, my eyes focusing on the music in front of me.
I started slowly playing. “Not in this lifetime.”
“Bet I could make you say it.” His voice had an arrogant lift to
it, which made me all the more irritated. Master? Um, no.
“Eyes.” He growled again.
With a resigned sigh, I closed my eyes. “Better?”
“Immensely,” he said smoothly.
Darkness enveloped my world. All I had were the notes at my
fingertips. All I had was the music — that and Gabe.
He wasn’t saying anything.
Which killed me.
It also made me want to open my eyes, but I knew he’d probably
just tell me to close them again, so I kept playing.
And then, with a teasing touch, his fingers grazed my chin,
slowly tilting it down toward the piano while his other hand went to my upper
back then slowly moved down until it was in the middle, with a gentle push, he
urged my body closer to the keys.
Eyes closed, posture completely off, I leaned over the piano.
Everything felt wrong as I continued playing.
“Slower,” he said softly.
Rachel
Van Dyken’s Bio:
Rachel Van Dyken is the New York
Times, Wall Street Journal, and USA Today Bestselling author of regency and
contemporary romances. When she's not writing you can find her drinking coffee
at Starbucks and plotting her next book while watching The Bachelor.
She keeps her home in Idaho with her Husband and their snoring Boxer, Sir Winston Churchill. She loves to hear from readers!
Author Links:
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