Title: Milk
Fever
Author Name:
Lissa M. Cowan
Author Bio:
Lissa M. Cowan is the author of Milk
Fever and founder of Writing the Body.
She speaks and writes about storytelling, creativity, work-life
balance and creative spirituality. She is a Huffington
Post blogger and writes regularly for
Canadian and U.S. magazines and newspapers.
She
is co-translator of Words
that Walk in the Night by Pierre
Morency, one of Québec’s most honoured poets. She has been writing
and telling stories in one form or another since she was six years
old and has received awards for her writing from
the University of Victoria’s Writing Department and from The Banff
Centre. She is an alumna of The Banff
Centre and The Victoria School of Writing. She has had some
wonderfully talented teachers along the way such as Nino Ricci, Jane
Rule and Daphne Marlatt who have helped her hone her writing craft.
Lissa
believes that inspiration for writing can come from anywhere and that
lifelong creativity begins by cultivating a deep awareness of
ourselves, and the world around us. She coaches her students to
develop the skills to tune in—rather than wait for the muse—and
to trust their intuition. She believes that true creative work begins
with a loving relationship to self
and spreads outwards to encompass all living beings.
When
she’s not writing or teaching, you can most likely find her in a
cafe working on one of her stories or book ideas. She just started
work on a creative non-fiction book, though it’s too early right
now to spill the beans on that one!
She holds a Master of Arts degree
in English Studies from l’Université de Montréal and lives in
Toronto, Canada.
Guest Post:
How to Avoid the Rejection Blues
There
is really no way to avoid the blues when your manuscript is rejected. Best to
admit you’re sad, take some time to yourself and then move on. Try not to take
it personally as it really isn’t about you. So many famous authors have been
rejected. In fact Harper Lee’s book To
Kill a Mockingbird was rejected and so was Agatha Christie’s The Mysterious Affair at Styles. Yet
they persisted until they got what they wanted: A published book. They knew
that what they were writing was publishable, that it was just a matter of the
right person seeing it.
Think
of rejection letters as badges of courage. Each time you’re rejected you
develop a thicker skin and become more determined that you will eventually get
published. I’ve received dozens of rejection letters and now think of it as a
natural part of being in the writing business. I’ve come to the point where I
try to not let reviews and rejections bother me. I know that it has nothing to
do with my work, or me, that I’m doing all I can to write a good book or story.
So
the most important thing is showing up and doing the best you can. Each time
you receive a rejection letter, you might fret and think, “Why bother?” Yet in
the end, you write because you love it and can’t imagine doing anything else.
Obviously you want to be published and see your name on the cover of a book,
yet that’s not your main impetus—or at least it shouldn’t be. The next time you
write a pitch to a publisher or an agent, remember how much you love writing
and write your letter from that place. And, the next time you receive a
rejection letter, also remember your love of writing. That’s all that matters
in the end.
Twitter: @lissacowan.
Book Genre: Historical fiction, literary suspense
Publisher: Demeter Press
Release Date: October 18,
2013
Buy Link(s):
http://www.amazon.com/Lissa-M.-Cowan/e/B00G48XN3S
Book Description:
What if the only person you ever loved suddenly
disappeared without a trace?
In 1789, Armande, a wet nurse who is known for the
mystical qualities of her breast milk, goes missing from her mountain
village.
Céleste, a cunning servant girl who Armande once
saved from shame and starvation, sets out to find her. A snuffbox
found in the snow, the unexpected arrival of a gentleman and the
discovery of the wet nurse’s diary, deepen the mystery. Using
Armande’s diary as a map to her secret past, Céleste fights to
save her from those plotting to steal the wisdom of her milk.
Milk Fever is a rich and inspired tale set
on the eve of the French Revolution–a delicious peek into this
age’s history. The story explores the fight for women’s rights
and the rise in clandestine literature laying bare sexuality, the
nature of love and the magic of books to transform lives.
Excerpt:
Armande
handed me a book that felt clumsy and stiff in my hands.
I pressed it with all the strength I could bring to bear. She said the
pages of books were made from cotton and linen rags stamped into
pulp, then pressed into paper and hung to dry. I laughed at her for
telling such a lie because I thought maybe she was just like my father
who told tall tales to make me behave. Rows and rows of lines she
called words looked odd to me. Many times I searched hard within
every letter, every sound to find meaning. The letters cut my tongue
as thorns on a rose bush, each one sticking to me. I could not speak
the next letter until the one before it came unstuck. Soon after the
word was finally spoken, my lazy tongue quit my mouth.
I pressed it with all the strength I could bring to bear. She said the
pages of books were made from cotton and linen rags stamped into
pulp, then pressed into paper and hung to dry. I laughed at her for
telling such a lie because I thought maybe she was just like my father
who told tall tales to make me behave. Rows and rows of lines she
called words looked odd to me. Many times I searched hard within
every letter, every sound to find meaning. The letters cut my tongue
as thorns on a rose bush, each one sticking to me. I could not speak
the next letter until the one before it came unstuck. Soon after the
word was finally spoken, my lazy tongue quit my mouth.
Months later,
the wet nurse asked me to read a passage aloud.
The first line was, Bodies gliding on morning’s cloak of dew, lit up
as iridescent insect wings they flew. When I came to the word iridescent,
Armande said to say it slowly, one letter at a time. She told
me it was from the word iris for the flower, and escent for colours
of the rainbow that change as a dragonfly in the sun. Finally, when
my tongue began working with me and worrying less, she asked me
to say other words like deliquescent, effervescence, and florescence.
These newfound words were as rare gems dug up by the wet nurse
solely for me. She wrote them out with big stokes that filled a whole
page. I rubbed my eyes to make the words go away, yet they only
stayed there waiting for me to say them.
The first line was, Bodies gliding on morning’s cloak of dew, lit up
as iridescent insect wings they flew. When I came to the word iridescent,
Armande said to say it slowly, one letter at a time. She told
me it was from the word iris for the flower, and escent for colours
of the rainbow that change as a dragonfly in the sun. Finally, when
my tongue began working with me and worrying less, she asked me
to say other words like deliquescent, effervescence, and florescence.
These newfound words were as rare gems dug up by the wet nurse
solely for me. She wrote them out with big stokes that filled a whole
page. I rubbed my eyes to make the words go away, yet they only
stayed there waiting for me to say them.
In the days
and months that followed, I learned to read and write
well, and I learned first-hand about the miraculous effects of Armande’s
milk on babies. Before, I was a mere servant watching from afar as the
wet nurse suckled. Then I was part of her life, holding and changing
babies, burping them, and rocking them to sleep. Armande cared for
three babies during this period yet not all at once. She would also tend
to others from time to time, reassuring worried mothers in soothing
tones as gentle and sweet as the milk itself. First there was Jacques
who she still cared for. His mother died in childbirth and Armande
stepped up to nurse him without a thought about payment. Caroline
came after, then Héloïse.
well, and I learned first-hand about the miraculous effects of Armande’s
milk on babies. Before, I was a mere servant watching from afar as the
wet nurse suckled. Then I was part of her life, holding and changing
babies, burping them, and rocking them to sleep. Armande cared for
three babies during this period yet not all at once. She would also tend
to others from time to time, reassuring worried mothers in soothing
tones as gentle and sweet as the milk itself. First there was Jacques
who she still cared for. His mother died in childbirth and Armande
stepped up to nurse him without a thought about payment. Caroline
came after, then Héloïse.
Great guest post! Thank you for sharing this book.
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