Wednesday, October 11, 2017

Genesis 2.0 by Collin Piprell Interview, Excerpt & Giveaway



Genesis 2.0
Magic Circles Series
Book 2
Collin Piprell

Genre: Sci-Fi, Mystery Thriller

Publisher: Common Deer Press

Date of Publication: October 5, 2017

ISBN: 9781988761039

Number of pages: 660

Cover Artist: Ellie Sipila

Book Description:

A nanobot superorganism lays waste to the Earth. Is this the apocalypse? Or does the world’s end harbor new beginnings?

Life will always find a way. Though some ways are better than others.

Evolution on steroids and crack cocaine —the most significant development since inanimate matter first gave rise to life.

You can’t predict novel evolutionary developments, you recognize them only after they emerge.

Then you have to deal with them.



EXCERPT 1 (700 words)

            angry gods
FLASH.
The watching has just turned prime time.
Flash, flash, flash.
The gods are angry. About seven klicks northwest of Eden, fake Edens flicker and dance across the landscape as godbolts crackle and hiss out of the high haze, leaving a succession of smoking craters across the Boogoo. Truly spectacular.
Flash-sizzle, flash.
The land itself cringes. Crater walls draw away from each strike to a hundred and fifty meters before lensing back to erase all trace of themselves. High above, the sky puckles. That’s how Poppy describes it, though Auntie says there’s no such word. It’s like a series of yellow-green holes opening and then puckering shut. It’s too bad she can’t be out here with them to watch. This is so cool. Son clicks his spearsticks together to attract Poppy’s attention and shoots him a double thumbs-up. Poppy brushes aside gods and their fireworks alike. They’ve got work to do.
The godbolts stalk across the terrain, just missing the false-Eden holos that wink in and out at random from eastern horizon to western. Never does the barrage tend closer to where Son watches. The ken suggests that he and Poppy remain safe, stationed as they are well inside the five-kilometer safe zone surrounding Eden. Never have either Eden mirages or godbolts trespassed on this apparently sacred area.
But even at this distance, where he’s concealed in the same overburden of dust that’s cratering way off in the distance, he feels it. The reaction. Like a mild electric shock followed by a tremor. It runs from the ground beneath him right up through his mantle. For that moment, he and the land are kin. Has Poppy also felt this? He’d never admit it if he has.
At one with the Boogoo. Wow. That’s something he can tell Auntie. She’ll enjoy the idea, unlike Poppy who’d probably threaten to lock him away in the back storeroom for a few days, the way he used to when Son was little, leaving him alone with himself till he got his head straight again.
Whatever. What’s past is past.
*




About the Author:

Collin Piprell is a Canadian writer resident in Thailand. He has also lived in England, where he did graduate work as a Canada Council Doctoral Fellow (later, a Social Sciences and Humanities Fellow) in politics and philosophy at Pembroke College, Oxford; and in Kuwait, where he learned to sail, water-ski and make a credible red wine in plastic garbage bins.

In earlier years, he worked at a wide variety of occupations, including four jobs as a driller and stope leader in mines and tunnels in Ontario and Quebec. In later years he taught writing courses at Thammasat University, Bangkok, freelanced as a writer and editor, and published hundreds of articles on a wide variety of topics (most of these pieces are pre-digital, hence effectively written on the wind). He is also the author of short stories that appeared in Asian anthologies and magazines, as well as five novels (a sixth forthcoming in 2018), a collection of short stories, a collection of occasional pieces, a diving guide to Thailand, another book on diving, and a book on Thailand’s coral reefs. He has also co-authored a book on Thailand’s national parks.

Common Deer Press is publishing the first three novels in his futuristic Magic Circles series.

Collin has another short novel nearly ready to go, something he only reluctantly describes as magic realism. Less nearly ready to go are novels he describes as a series of metaphysical thrillers. Not to mention several Jack Shackaway comic thrillers, follow-ups to Kicking Dogs. He also has a half-finished letter to his grandmother, dated 10 October 1991, saying thanks for the birthday gift.

Interview:

1.     What literary pilgrimages have you gone on?
None, that I can think of. Though I did wind up in Wordsworth’s cottage in the Lake District one time on a walking holiday. But that was by accident. Other than that, my college supervisor in the UK would sometimes take me on a very pleasant two- or three-kilometer walk that he used to share with his friend Tolkien, though he and I talked philosophy and politics rather than fiction.
2.     What is the first book that made you cry?
You’ve just made me realize I’m probably a cold bastid at heart, because I can’t remember any specific book that made me cry. Though a couple have made me laugh enough to almost make me cry, Catch-22  for one (though it didn’t prove as potent when I re-read it about twenty-five years later).
3.      Does writing energize or exhaust you?
Sometimes one, sometimes the other, depending upon how chummy my Muse is proving.
4.      What is your writing Kryptonite?
Hangovers. For more on that notion, I’ll refer you to ‘Ersatz creativity’ (http://www.collinpiprell.com/writerly-occupational-hazards-ersatz-creativity-boozing/).
5.      Did you ever consider writing under a pseudonym?
At one point in my magazine-writing career I had seven pseudonyms, two of them female. Anne Fiske was what I hid behind when I had to write gushy stuff about five-star resorts. Anne was Ham Fiske’s sister, and Ham Fiske was a two-fisted, beer-swilling hombre who wouldn’t be caught dead spinning brochure copy disguised as feature stories.
Many years ago Post Publications brought out Bangkok Old Hand, a collection of Ham Fiske stories (long since out of print). Here’s the preface to that book:

Collin Piprell is a Canadian writer and editor living in Bangkok. Aside from the many magazine articles that he has had published, mostly around Asia and most of them under his own name, he is the author of three novels and various works of non-fiction.
All but a few of these stories have been previously published in the Bangkok Post, Fah Thai, Thailand Tatler, or Asia Magazine.
Most of the stories first appeared under the byline "Ham Fiske".
Why that particular pseudonym? Years before the writer had ever written anything for publication, he thought he would one day like to be a writer. But, once, after he had revealed all in a bar-room conversation, it was pointed out that "Collin Piprell" was kind of hard to remember, which was really the kindest thing you could say about the name; and he'd never become a famous writer unless he could think of a good pseudonym. So everybody sat around and thought about it for a while. Then suddenly, out of nowhere, it came to him. "Ham Fiske"! It was short, easy to spell, and had a certain lusty heft to it. More importantly, though, reviewers wouldn't be able to resist it. They could start every review with "And here we have another typically ham-fisked effort  ..." According to the "It doesn't matter what they say, as long as they talk about me" school of self-promotion, it would only be a matter of time before he was rich, famous, and buried in groupies.
He had the name, but it took him several more years before he actually wrote anything to hang it on. And, he reports, having eventually written 40-50 short stories, articles, and essays as Ham Fiske, he still wasn't noticeably bothered by groupies so he said what the hell, and went back to being plain old Colin Prep  ... Collin Pipe  ... Um. Who?

6.      What other authors are you friends with, and how do they help you become a better writer?
I have a number of writer friends, though I’m not sure how they’ve helped me other than by offering moral support when it was needed. Some have commented on draft fiction, which was appreciated, whether or not I agreed with their suggestions.
7.      Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
 Both. I’ve written books that are very different in voice and genre, but I’m currently concentrating on Magic Circles, a series of science-fiction books. Despite the fact Magic Circles presents one continuous story, however, each novel is meant to stand on its own, though reading them in order might lend the later volumes extra depth.
8.     What authors did you dislike at first but grew into?
I can’t think of examples of authors that fit that description, but there have certainly been books that shut me down in my first tries at them. A couple come to mind that eventually ranked among my favorite novels.
One of these was Malcolm Lowry’s Under the Volcano. People kept recommending it over the years, and I’d find it like wading in mud. Then a writer friend here in Bangkok bought a first edition and passed me his older hardback edition. So I felt compelled to read past the mud stage and, to my wonder and delight, found myself drawn into something I believe is a work of genius, never mind I also believe it could have benefited from more line editing. (It’s past time I re-read it, I realize now.) Another such novel was Suttree, by Cormac McCarthy. Again, in the couple of first tries I found the first 40pp. or so impenetrable. Then, when I managed to read past that long prologue, I became totally engaged. Having finally finished the book, I went back to the start and found that brilliant as well.
9.     What’s your favorite under-appreciated novel?
The Sopranos, by the Scottish writer Alan Warner, comes to mind. I think it deserves much greater recognition. It’s both really funny and a serious, emotionally affecting novel.
10.                         As a writer, what would you choose as your mascot/avatar/spirit animal?
Don’t know. Gazelles or greyhounds come to mind, though people who know me tend to describe me as a bear. Something I find unaccountable.
11.                         How many unpublished and half-finished books do you have?
I have a short novel that I suppose might be described as magic realism. I consider it the best thing I’ve ever written. I still have to find a publisher that shares my opinion in this matter. (It would probably help if I actually submitted it somewhere. Right now it’s kind of like waiting to win the lottery, never mind I haven’t bought a ticket). I have a number of chapters toward a Jack Shackaway sequel to Kicking Dogs, a comic thriller that had three publishers over the years and may soon have another. I’ve also got material towards a non-fiction book that I’d prefer not to describe just now.
12.                         What did you edit out of this book?
Genesis 2.0  is long, but both the publisher and myself prefer to think it isn’t too long. At one point, however, the ms. was much longer still. I shrunk it mainly by trying to cut each scene, even each sentence, to the bone. I had an agent a few years ago who read what I had and found a couple of synesthetic sex scenes that he thought were too purple; I decided he was right, and gave them the chop.
13.                         If you didn’t write, what would you do for work?
My earliest ambition was to be a garbage man. Please have a look at ‘How to write a novel that flies’ (http://www.collinpiprell.com/airplanes-and-novels/) for details.  
14.                        Do you hide any secrets in your books that only a few people will find?

I can’t think of any, but that doesn’t mean they aren’t there. In fact a qualified psychoanalyst could probably uncover any number of secrets I’d just as soon stayed hidden.
15.                        What is your favorite childhood book?
When I was a kid, my father built me a bed with bookshelves for a headboard. Some of the titles I recall, favorites I read again and again, included Tom Sawyer, Huckleberry Finn, Penrod, A Child’s History of the World, A Child’s Geography of the World, a couple of books by archaeologists, including Mortimer Wheeler’s Archaeology from the Earth, some fat hardback with B&W photos of Petra, a field guide to the denizens of pond water (my folks had bought me a microscope, a good one), and more. An account of some paleontologist’s expeditions in the Gobi Desert.

When I was a bit older I came to love such humorists as James Thurber, Damon Runyon, P.G. Wodehouse and Stephen Leacock.


Website/blog: www.collinpiprell.com






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