Title: Captain Shelby
Author: Jesse Giles Christiansen
Publisher: Imajin Books
Pages: 211
Genre: Literary Fiction/Magical Realism
Format: Kindle
Purchase at AMAZONAuthor: Jesse Giles Christiansen
Publisher: Imajin Books
Pages: 211
Genre: Literary Fiction/Magical Realism
Format: Kindle
There
are places even the sea cannot go…
In coastal Denmark, a young man named Nereus builds a longship and leaves
at age eighteen to discover a new, enigmatic land. Faced with unimaginable
obstacles, he crosses the North Atlantic, only to be captured by the
Skraelings, the Inuit indigenous people who seek revenge on all settlers
because of a "Great Red Man" who murdered many of their family
members.
A few years later, Nereus is hired by a group of Irish settlers who are
fleeing the tyranny of King Henry VIII, and he takes them across the North
Atlantic to the New Found Land. A fierce battle ensues against the sea, the
Little Ice Age, and the vicious Skraelings.
When Nereus falls in love with Laura Hodges, fiancée to the group’s leader,
William Brockelby, he becomes embroiled in a dangerous love triangle…until the
formidable mystery surrounding Captain Nereus H. Shelby is finally revealed.
I am
master of snow. I am master of fire. I am master of the hunt. They call me Kaya,
a name given once to wolves and now given to snow dogs. It means “stay and
don’t go back.”
But
there are times when even the snow dogs turn back. My brothers and sisters and
I were brought death by the blue-eyed, silver-haired ones, but we did not go back.
We felt the breath of the Little Ice Age, but we did not go back. We are more
powerful than the snow dog. We walked over many frozen centuries and did not
stumble. We are more powerful than the Great Red Man’s temper. We are more
powerful than the biting winter. In the past, we drank her blood to quench our
thirst and to cure our hunger, and used her flesh to build our homes.
They
called us monsters when we attacked because we are strong and brave. They
called us Little Devils when we ate their flesh to become one with our enemies,
and to survive even when the great caribou froze where they stood. We are the
natives of these lands.
We
don’t know if monsters exist. Only the white strangers know that. But if they
do exist, my brothers and sisters saw them walk on our shores once. They
floated here on great wooden turtles and moved themselves with giant sticks. We
were afraid, but I told my brothers that they are the blood of Kaya, and the
blood of Kaya never turn back. We prayed to Agloolik, the god of the sea, who
lives under the ice and helps us in the hunt of the great whale, to put a curse
on them. But Agloolik did not help us, and we wondered if he was afraid, too,
of the blue-eyed, silver-haired ones who appeared from the other side of the
world.
They
carried long, shiny spears that looked like yellow fingers stolen from the sun
and wore heavy helmets with horns like the gods of the mighty buffalo. They
walked heavily and left giant footprints in the sand. They slashed the sea with
their flat sticks and trapped the wind, made the ground quake, and still,
Agloolik did nothing.
Their
leader stood far above his brothers, and had a giant beard that dropped and
twisted in the wind like great red feathers dancing under a peace pipe. His
eyes were not like the others. They were green, like emeralds stolen from
Agloolik’s treasure deep below the ice, and as mean and fierce as the eyes of a
crocodile. His hair was at war with his helmet, and when he removed it, it
exploded like a great fire.
We
stayed hidden and watched from the darkness of the woods as the visitors
murdered many trees and built skeletons with them upon the land and fleshed
them with thick mud. My brothers and sisters cried as they killed many caribou
and left their skin and bones to rot under the sun. We thought they would be
cursed by the land for such wastefulness, and become sick and die.
But
that never happened.
Soon
we agreed that I should go and talk with the visitors to try and make peace
with them and to understand their ways. I brought two of my bravest brothers
with me. We sang a welcoming song together at the edge of their village and
waited. The Great Red Man came out to talk to us, his brothers staying close
behind. They came with their yellow fingers of the sun, but they did not wear
their strange helmets.
“We
come from Norway .
We have claimed this land. Who are you?”
His
language was stranger than his red hair and wild green eyes. I could not
understand a word he said.
“We
come in peace to understand our strange new brothers,” I said in my native
Inuit tongue.
The
Great Red Man’s eyes became greener and wilder, and he shook his head.
“We
must find a common language so we can better share the sacred land,” I said,
pointing at the ground and widening my eyes, which flashed white in the
afternoon sun.
The
Great Red Man pointed at the ground now too, then to himself, over and over
again. His face became a boiling red stew of anger. I looked at him, confused,
then turned to my brothers. They raised their arms in confusion, too.
The
Great Red Man raised his yellow finger of the sun and waved it around, holding
it high. His brothers did the same. When they came toward us, they were very
many now, and we retreated and hid in the trees.
The
night fell quickly upon us, so we made camp inside a cave on the way back to
our village. My brothers spoke around the fire of the strangers and their
strange ways and their great fear of them. I told them they are brothers of
Kaya and that they should fear nothing. But we all slept restlessly that night.
Halfway
between the sun’s lowest and highest place in the sky, we arrived at our
village and fell to our knees, weeping and bunching our fists. Our homes were
destroyed and flattened. Our brothers and sisters and our children lay all
about with red holes of anger in them, some of them missing their heads.
When
we finished weeping, my brothers asked me, “What will we do?”
“Soon
more of their boats will come,” I said. “We will gather our brothers from the
south and be ready for them. May Agloolik be with us.”
About the Author
Jesse Giles Christiansen is an American
author who writes compelling literary fiction that weaves the real with the
surreal. He attended Florida State University where he received his B.A. in
English literature, and holds an M.A. in philosophy from Georgia State
University. He is the author of Pelican Bay (book one in the Captain Shelby
Series), an Amazon #1 list bestseller, outselling Old Man and the Sea by
Hemingway. One of Christiansen's literary goals is to write at least fifty
novels, and he always reminds himself of something that Ray Bradbury once said:
"You fail only if you stop writing."
His latest book is the literary fiction/magical
realism novel, Captain
Shelby.
Interview:
Where are you from?
Miama, FL. I grew up playing on the beach, which perhaps explains my love for the sea, and my many novels with heavy sea themes.
Tell us your latest news?
I’m very excited to be publishing my first prequel, which is part of the Captain Shelby Trilogy, delving deeper into the past behind the mysterious fisherman from my #1 international bestseller in sea adventures, PELICAN BAY.
When and why did you begin writing?
While I wrote many short stories in high school and college, I think that technically my writing career began when I started writing song lyrics at age twelve in my bedroom with an old nylon string guitar. I think lyrics and poetry have given me a solid foundation for tackling description, imagery, and simile that can give a novel that extra bit of spice and survival.
When did you first consider yourself a writer?
Hmm. I think when I was first published by the small but mighty house, Imajin Books. I remember becoming teary-eyed when I signed the contract, because I had been through countless agents and publishers before that point. Then it seemed my career really started to take off after my first published novel PELICAN BAY outsold Old Man and the Sea, becoming a #1 Amazon list bestseller!
What inspired you to write your first book?
Actually, my very first book was JOURNEY INTO THE MYSTIC, also an international list bestseller. I wrote the novel after spending a summer in Alaska working on fishing boats.
Do you have a specific writing style?
I think the fun really begins when a writer finds his or her voice. I’m starting to do that, and it’s quite thrilling. Anything can happen now. Anything. I definitely write literary fiction; but I try to marry strong plot with literary fiction, which gives my books a very unique angle. I live and die by the belief that a big bestseller in the literary fiction genre is quite possible. There are many examples, including THE SHIPPING NEWS or, even more recent, THE ROAD.
How did you come up with the title?
The name CAPTIAN SHELBY sort of found itself. After PELICAN BAY, Captain Shelby has almost become a brand of its own. Very exciting!
Is there a message in your novel that you want readers to grasp?
Mainly, that the sea is a mystery to us all, one of the greatest mysteries, if not the greatest, of our planet. One must remain open to learning from the sea. Captain Shelby has a very special bond with the sea, a type of bond I wish we all had.
How much of the book is realistic?
The history behind CAPTAIN SHELBY, save for some of the linguistic and Viking mythology, is quite accurate, demanding hours upon hours of painstaking research. I think this adds a lot of plausibility to the novel, despite the magical scenes surrounding the fisherman.
Are experiences based on someone you know, or events in your own life?
I believe that Captain Shelby is a melting pot of all the father figures of my life, as well as an embodiment of the unfathomability of the sea, and all its heroes and explorers.
What books have most influenced your life most?
OLD MAN AND THE SEA and THE SHIPPING NEWS, above all others, I think.
If you had to choose, which writer would you consider a mentor?
Posthumous, probably London, Dostoevsky, or Hemingway. Contemporaneous, Annie Proulx, Paul Harding, or Joyce Carol Oates.
What book are you reading now?
I’m just finishing up TWISTED by Jeff Bennington, and about to start A GRAVE MATTER by Anna Lee Huber. I’m also reading LAUGHING BOY by Oliver LeFarge.
Are there any new authors that have grasped your interest?
I believe you mean authors with recent debut novels? In that case, definitely Chris Hill, author of Song of the Sea God.
What are your current projects?I’m working on my first Christmas story, GOTH TOWN, which centers on a town with no Christmas. It releases Nov. 6th. Jake Rayner has a vision, which has brought him to the Recalibration Machine twenty-nine times. When the Overseers threaten to reenact an old law, Jake is forced to do the unthinkable: leave town and boldly venture beyond its shrouding gray fog. Once the dark founder of Goth Town, Lord Gothly, learns of this, he captures his best friend, Samantha Bryant, and uses her as bait to draw him back. But there is more at stake than just the welfare of Samantha. The tall lord has conceived a plan to not only end Christmas, but also reduce the world to the same bleak fate. With the help of Lady Pathos, an earthy and irresistibly eccentric woman who Jake meets during his escape, the two return to Goth Town to face the lord before it is too late.
Name one entity that you feel supported you outside of family members?
If you mean a literary contact, the owner of Imajin Books and international bestselling author, Cheryl Kaye Tardif. She has been one of those integral persons that every successful writer needs—someone who believes in you even when sometimes you don’t believe in yourself. She’s been instrumental in getting me where I am now.
What would you like my readers to know?
A novel can entertain AND enlighten. I believe my novels, such as CAPTAIN SHELBY, do just that. I want to give readers a unique literary experience they’ll never forget … one that transports them to another world and leaves them with thoughts and memories they’ll forget were wrought of fiction. Give CAPTAIN SHELBY a chance and I think it will do that.
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