Evil
Companions by Michael Perkins
We had
gotten aboard a roller coaster, and it was a race for our lives, on a one-way
track.
In New York City during the heady, tumultuous years of the 1960s, a young couple meet. Together they embark on a dark erotic journey into forbidden sexuality - travelling on an incandescent road to nowhere in their tragic fall from grace.
Scorching and poignant, and banned upon its first publication in England, Evil Companions is a masterpiece of contemporary erotica.
'Evil Companions is a meticulous miracle of language and observation . . . A dark jewel on the erotic landscape.' Samuel R. Delany
In New York City during the heady, tumultuous years of the 1960s, a young couple meet. Together they embark on a dark erotic journey into forbidden sexuality - travelling on an incandescent road to nowhere in their tragic fall from grace.
Scorching and poignant, and banned upon its first publication in England, Evil Companions is a masterpiece of contemporary erotica.
'Evil Companions is a meticulous miracle of language and observation . . . A dark jewel on the erotic landscape.' Samuel R. Delany
Available from:
*****
Excerpt:
Some of what happened to us, what we did to each other, might have been
prevented. But we had gotten aboard a roller coaster, and it was a race for our
lives, on a one-way track.
Circumstances, the mood of the time, made our explorations seem natural,
forecast in all our stars. Most of them I haven’t seen in years, and wouldn’t
care to—except for Anne, that is. I’ve waited for her to come back, to finish the
story. Maybe she won’t because it doesn’t have an end, or because neither of us
wants it to end.
Our life together was a story we told each other at night, and we were
always careful to consider the obligations of plot and character. Anne,
especially, watched the dialogue and considered speech patterns, having decided
that the nuances of conversation and sound often tell the listener more than a
character would ordinarily want to tell. I had the same feeling about faces. We
did more than tell each other stories at night, though; we lived our whole
lives then, like—vampires. History is made at night, said Frank Borzage.
We met during rehearsals of a play I was doing in a café theatre on the
East Side. She sat at a table on the side sipping coffee through a straw, and
she looked ready to scream. She was with friends, some people I knew slightly
and hated. It was obvious she was with them, but not of them. They ignored each
other. The play was dingy and amateurish, and I became quite loud in my objections
to it; I had the lead, but I had taken it in desperation, looking for anything
to rouse me from my lethargy. The actress I was working with missed her cue for
the third time and I exploded, cursing her, the director, and the script, which
I felt no affinity with.
Something hit me in the middle of the back—the girl at the table had
thrown her coffee at me. I stood frozen, feeling the hot liquid run down my
back.
“You (profanity)! You actor! If you weren’t so goddamned
illiterate, you could handle that script!” Everyone just looked at her. As quickly
as she had flared up, she calmed down, and sank back into her seat. She looked
so embarrassed she might have sunk into the floor.
I didn’t say anything; I went to the men’s room and cleaned myself off as
well as I could. Then I sat on the toilet and smoked a cigarette. When I got
up, I went straight to her table. She got up to join me without a word.
“Come on, let’s take a walk,” I said. It was already dark outside. I
hadn’t realized I had been working so long. She had a peculiar gait, like a
sailor’s; we walked along. “Did I hurt you?” she asked me. “Let me see.” She
pushed me in a doorway and slipped her hand around so she could feel my back.
Her hand slipped up under my coat and over my buttocks with a man’s urgent
touch. “You’re still wet. Come home with me and you can get dried off.” It was
practically a command. She took my hand as if it were already a part of her,
ready to pull me along if I hesitated.
The building she lived in was one part tenement and two parts gingerbread
house. I went galumphing up the stairs behind her, noticing the runs in her
stockings. She wore stocking with seams down the back, those clay-colored
things my mother used to wear.
Her apartment had its own particular smell, an aromatic combination I
have never been able to forget: a hideous incense called Dhoop, marijuana, and
an exciting odor of pure, raw sex,
mixed with the smell of her cats. She had five of them; the leader was an
old gray tom she called Wino, who was missing one eye and any sense of decorum.
I learned that it wasn’t unusual for him to leap on guests with his claws out,
or to urinate in the middle of the floor and stand there proudly, daring you to
rebuke him. I wanted to call him Jean Genet.
She still had my hand. She pulled me in the bedroom, but it was occupied
by a young Puerto Rican who was rolling his eyes at the ceiling. As soon as he
saw us, he rolled off and staggered out into the other room.
“Sit down and take off your pants.” I sat on the bed and watched her move
around. She seemed unconscious of my presence as she took off her clothes. When
she was naked in the
red light she sat down beside me and, without a word, unbuckled my belt
and pulled my trousers off.
“Don’t be uptight. You’re an actor, aren’t you? Here’s a situation you
can play your heart out in.”
“Meaning you?”
Other Modern Erotic Classics available:
The Houdini Girl by Martyn
Bedford
Lie to Me by Tamara Faith
Berger
The Phallus of Osiris by Valentina
Cilescu
Kiss of Death by Valentina
Cilescu
The Flesh Constrained by Cleo
Cordell
The Flesh Endures by Cleo Cordell
Hogg by Samuel R. Delany
The Tides of Lust by Samuel R.
Delany
Sad Sister by Florence
Dugas
The Ties That Bind by Vanessa
Duriés
Dark Ride by Kent
Harrington
3 by Julie Hilden
Neptune & Surf by Marilyn Jaye
Lewis
Violent Silence by Paul
Mayersberg
Homme Fatale by Paul
Mayersberg
The Agency by David Meltzer
Burn by Michael Perkins
Dark Matter by Michael
Perkins
Evil Companions by Michael
Perkins
Beautiful Losers by Remittance
Girl
Meeting the Master by Elissa Wald
No comments:
Post a Comment