A Cast of Stones
An Epic Medieval Saga Fantasy Readers Will Love
In the backwater village of Callowford, Errol Stone's search for a drink is interrupted by a church messenger who arrives with urgent missives for the hermit priest in the hills. Desperate for coin, Errol volunteers to deliver them but soon finds himself hunted by deadly assassins. Forced to flee with the priest and a small band of travelers, Errol soon learns he's joined a quest that could change the fate of his kingdom.
Protected for millennia by the heirs of the first king, the kingdom's dynasty is near an end and a new king must be selected. As tension and danger mount, Errol must leave behind his drunkenness and grief, learn to fight, and come to know his God in order to survive a journey to discover his destiny.
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Author Guest Post:
Medieval Ideas
One of the strongest medieval ideas that I hope readers will take away from “A Cast of Stones” and the other two books in the “Staff and the Sword” trilogy is the intimacy of death. Articles that discuss the impersonal nature of killing by handgun, cruise missile, and drone are legion. I think the impersonalization of killing is one of the factors that’s contributed to the cheapening of life in society at large.
Medieval Ideas
One of the strongest medieval ideas that I hope readers will take away from “A Cast of Stones” and the other two books in the “Staff and the Sword” trilogy is the intimacy of death. Articles that discuss the impersonal nature of killing by handgun, cruise missile, and drone are legion. I think the impersonalization of killing is one of the factors that’s contributed to the cheapening of life in society at large.
The
movies that we watch, and I’m one of them (I love movies), generally treat death
in one of two ways. The first way, which is to show the death, but then cut
immediately to a different camera shot will salvage a PG-13 for a violent movie.
Death is kept impersonal. The second way, to show the death and to allow the
viewer to feel the impact of the death instead of cutting away, will often earn
the movie an R, especially if the movie comes from an indie
studio.
What
I strove to do as my series unfolded was to show the impact of death on my main
character. As a writing task, this was difficult because I wanted to keep the
story age friendly to everyone 14 and up, so I endeavored to limit the gory
details. Of course, I had help along the way. My editor with Bethany House,
Karen Schurrer, stepped in on occasion to let me know I was getting a little
over the top.
One
such instance occurred in the second book, “The Hero’s Lot,” which will be
released in July this year. There’s a scene in which my hero is drugged and his
emotional responses are muted. One of the antagonists in the book is beheaded
and his head rolls to my hero’s feet. Instead of revulsion or horror, my hero
looks at it in his drugged stupor and then kicks it across the room. Karen was
okay with the scene right up until the kick. I wanted to keep it, but on
hindsight, I think she was right. The death was personal enough and, in this
case anyway, Errol’s reaction was gratuitous.
Another
medieval theme that I found challenging was the slow pace of communication. The
instantaneous response we often get with texting, tweets, email, and plain
old-fashioned phone calls is a difficult concept to put aside. In fact, the idea
of communication is a central struggle in the history of warfare. As my series
unfolds this becomes one of the struggles Illustra must overcome. How can they
defeat an enemy that has discovered a means to communicate to its in real
time.
What
would our live be like if we were forced to slow down? To be honest, I can’t
even imagine how it would feel for the pace to slow to that of the U.S. mail.
What if we were forced to be patient? We say we want it, but waiting is often an
exercise in excruciation. I’m thinking of all the times I’ve waited to hear back
from an editor or agent. Ha. I wouldn’t wish that on
anybody.
Author Patrick W. Carr
Patrick Carr was born on an Air Force base in West Germany at the height of the cold war. He has been told this was not his fault. As an Air Force brat, he experienced a change in locale every three years until his father retired to Tennessee. Patrick saw more of the world on his own through a varied and somewhat eclectic education and work history. He graduated from Georgia Tech in 1984 and has worked as a draftsman at a nuclear plant, did design work for the Air Force, worked for a printing company, and consulted as an engineer. Patrick’s day gig for the last five years has been teaching high school math in Nashville, TN. He currently makes his home in Nashville with his wonderfully patient wife, Mary, and four sons he thinks are amazing: Patrick, Connor, Daniel, and Ethan. Sometime in the future he would like to be a jazz pianist. Patrick thinks writing about himself in the third person is kind of weird.
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Ends 1/31/13
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