Friday, September 25, 2026

DARKNESS FALLS by James L'Etoile Excerpt, Review & Giveaway

DARKNESS FALLS by James L'Etoile Banner

DARKNESS FALLS

by James L'Etoile

September 7 - October 2, 2026 Virtual Book Tour

Synopsis:

DARKNESS FALLS by James L'Etoile

A DETECTIVE NATHAN PARKER NOVEL

 

Not all darkness flows into the Valley of the Sun from our southern borders.

Detective Nathan Parker discovers a double murder in a Phoenix drug lab, and all the evidence points at a connection to his son, Miguel. Was his adopted son swept up in a drug rip-off and murder? Did he play a role in the distribution of illicit designer drugs in the valley? As authorities close in on Miguel, Parker discovers a border militia group rushing to control the drug flow. The Night Watch militia leaves of trail of violence in their wake and local politicians use the shadow of the scourge of drug violence to influence an upcoming election. Who stands to gain while Parker and his family are caught in the crossfire? Who will betray them?

Book Details:

Genre: Thriller / Police Procedural
Published by: Level Best Books
Publication Date: August 25, 2026
Number of Pages: 350
ISBN: 978-889203313
Series: A Detective Nathan Parker Novel
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub

The Detective Nathan Parker Novel Series

Dead Drop

Amazon | Goodreads | BookBub
Devil Within by James L'Etoile
Devil Within

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Served Cold

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Sins of the Father by James L'Etoile
Sins of the Father

Amazon | Goodreads | BookBub

Read an excerpt:

Chapter One

Sucking stale air through a respirator, John Thomas Mitchell finally found his niche. He dropped out of high school because it wasn’t his thing. The teachers said he wasn’t being challenged. Truth was, John Thomas left because he’d learned what he needed to make it on his own.

Most of the people he interacted with only knew him as the Birdman. If you wanted the best high, the Birdman was the source. He wasn’t a drug dealer; he was a connoisseur—a brand ambassador of pills.

“J.T., I got another five hundred bagged and ready,” a reedy voice said through his respirator.

John Thomas pulled the lever on his manual pressing machine, one of his own design, and twenty white, perfectly pressed pills dropped out, each embossed with his own logo—a Blackbird in flight.

“We need another thousand for the college this weekend. It’s pledge week, Cal.”

John Thomas tapped the plastic container, shaking loose the snow-colored powder residue from the sides, and monitored the loose material as it flowed onto the dimpled steel plate where it would be formed and pressed into the coveted Blackbird doses. The perfect blend of Ecstasy and opiate.

A hard knock on the trailer’s thick metal door reverberated through the old single-wide.

John Thomas and Cal exchanged a glance through drug powder dusted goggles.

“Cops?” Cal said.

John Thomas glanced at his watch. “Cops don’t knock. Must be our boy coming to pick up. He’s early. Get it would ya? I’m in the middle of setting up the next press.”

Cal scooted back from the workbench and placed the plastic-wrapped bundle of pills on the cheap folding table set up in the middle of the stripped-down trailer.

The knock at the door sounded again. This time, it came harder and rattled the heavy doorframe.

“All right, all right, I’m coming, dammit,” Cal said as he slid the two bolts that secured the door.

The moment he threw the door aside, a thundering blast echoed in the small space. Cal flew back against the far wall, a crimson blossom leaching through his t-shirt.

John Thomas fell out of his chair, and two gunmen, both dressed in black, wearing full-face respirators, stepped into the trailer. John Thomas crabbed backwards on the floor trying to distance himself from the gun-toting pair.

The closer of the two leveled a black shotgun at him.

John Thomas blanched. He looked away from the gunman. “Take it. Take what you want.” He held his hands up—submissive and cowering.

The gunman tipped his head to his partner, who stepped over Cal’s body and stuffed the bags of finished pills into a black nylon zippered duffle.

When the pills were tucked away in the duffel, the man backed away. The gunman didn’t lower the shotgun.

“You got what you came for. I won’t tell nothing,” John Thomas said. His voice thin and quivering.

Over his pounding heartbeat, John Thomas heard the gunman’s reply.

“I know you won’t.”

A flash from the muzzle and an ear-splitting roar filled the trailer. John Thomas lay sprawled on the floor. The gunman slung the shotgun over his shoulder and stepped around what was left of John Thomas’s head and grabbed the heavy pill press, dumping the powder that hadn’t been compressed on the floor.

He backed through the door and took a last look inside before his partner tossed in a plain blue backpack. They closed the metal door and jogged to where they’d parked their dark blue Ford F-150 pickup.

The pill-laden duffel went into a hardcover case. The gunman took less than a minute to strip down the pill press and remove the plates that formed the pills with their unique Blackbird signature logo. The two steel plates tucked into another hard case, and the mechanical parts of the press were tossed into a thick copse of creosote brush.

After the cases were secured in the back seat, the men got in, started the truck and backed away.

The gunman pulled his respirator off and tossed it into the back seat. His blue eyes fell on his cell phone he’d stashed on the console. He scanned it while driving on the rutted, washboard dirt road and dialed 911.

“911, what’s your emergency,” a voice sounded over the cellphone.

“Hey, I just spotted a pack of illegals busting into a trailer out near Vulture Mountain west of Wickenburg.”

“How do you know they were undocumented?”

“You can tell, and I heard gunshots.”

“What’s your name?”

The gunman hung up and handed the phone to the passenger, who slipped out the SIM card, snapped it in half and tossed the bits out the window.

“How long you figure it’ll take them to find the place?” the passenger said.

“Not long.”

The gunman pressed down on the accelerator toward Phoenix.

Chapter Two

Detective Sergeant Nathan Parker piloted his Maricopa County Sheriff’s Office SUV on the barely paved roads in the north part of the county known as Tweaker Heights. The largely undeveloped desert space wedged between Tonopah on interstate 10 and Wickenburg on the 60 was a prime location for operating a clandestine drug lab.

Parker glanced at detective Barry Johns in the passenger seat. Barry held a cellphone to his ear and held up two fingers. Two victims.

Drug ripoffs weren’t specifically listed in the fine print of the risk of doing business. There were rules. Usually, rivals understood that keeping the fragile peace meant hands off the production side of the operation. The street-level sales and distribution were another matter. In many ways, Maricopa County was the wild west, where intimidation and payoffs ruled. There was a fragile truce in the business when all sides followed the rules.

When a drug lab stiffed a supplier, bad things happened. This was not a business that cared about promises or referrals to human resources for mediation.

Barry disconnected the call. “Fire department from Buckeye station 70 responded to a report of a trailer fire south of the White Tanks. About the same time, we got the 911 call about shots fired and undocumented migrants at the location.”

“Fire and reported gunfire could mean a lab take down. If the lab was connected to any of the biker gangs up in the north county, could be reprisal coming.”

“We have a deputy on scene. Wilson. Said it looked like a pill mill. Some precursor chemicals there. Possible fentanyl set up.”

“Great,” Parker said. That would mean wearing protective gear and respirators while working the scene. And having Narcan on hand for accidental exposures.

“Did the 911 call mention the fire?” Parker asked Barry.

The big man shook his head. “No. Gunshots only.”

“But the fire department responded to a trailer fire.”

“That they did. We’ll have to find out how they got the call.” Barry pointed ahead. The red and white Buckeye fire engine near a dilapidated single-wide mobile home that looked as if it had been parked there since the Carter administration. “How you want to handle this?”

Parker mulled it over for a moment. Two dead in a drug rip-off. No neighbors to canvass, unlikely witnesses, and the fire may have consumed much of the useful evidence. “You tell me, Barry. You’re lead on this one.”

Barry Johns was a solid detective with slightly over five years in grade. Parker knew him to be smart and dogged when it came to chasing down leads. A former college football standout, Barry was looking at a pro career when his knee betrayed him, ending his athletic eligibility. He was recruited by two Black colleges for teaching positions but opted to come back home to the desert and join the Sheriff’s office. Parker knew he was capable and savvy enough to get this investigation off and running.

Barry was feeling a little disconnected after his partner, Pete Tully, retired over six months ago. Getting shot in the chest will make you rethink your priorities. While Barry and Parker worked well together, Parker sensed Barry needed a chance to take charge.

Barry glanced over. “I’d start by running down the origins of whatever chemical compounds we have in the trailer. By the looks of it, Buckeye Fire got here fast. We might have something to work with. Then the trailer itself. I want to know ownership records from the day it was dropped out here. Same with the land itself.”

Parker nodded. “Want me to run down the trailer registration and property records? I know you’ll get all geeked out over the chemical mumbo jumbo.”

Barry grinned. “Yeah, maybe.”

A cloud of red dust enveloped the SUV when Parker eased the vehicle behind the Maricopa County unit. He waited for the dust cloud to pass before he opened the door. “Let’s get the update from Wilson.”

Parker and Barry found deputy Wilson standing in front of the Fire engine, some fifty feet from the single-wide.

A pair of firefighters were pulling a hose from the doorway. Both wore full protective gear, including the air tank for the self-contained breathing apparatus.

Wilson turned as the detectives approached.

“Detectives,” the deputy said.

“What can you tell us, Wilson?” Parker said.

“Responded to the shots fired call and arrived just as the Buckeye Fire crew pulled up. Looked like the fire was small and contained mostly inside. Not much smoke. Don’t know who reported it.”

Barry nodded to the two firefighters. “They discover the bodies?”

“They did. Said it was laid out like a drug lab inside. A line of worktables down the center of it. Our two victims—one by the door and the second toward the rear.”

“Did you get a look?” Barry asked.

“I grabbed a mask and got a look from the door. Snapped a couple of photos before the fire jockeys destroyed everything.” He held his cell phone out to Barry.

“Good thinking,” Barry said as he took the phone and scrolled through the set of images. He handed the phone to Parker.

“Gonna be tough to get an ID on one of them. Most of his face is missing,” Wilson said.

“What I don’t see here is the product. Gives some credence to the idea someone took this pair down,” Barry said.

“I did find these,” Wilson handed a sealed plastic bag to Barry. Five pills lined the bottom of the bag. All white with a distinct Blackbird logo embossed on them.

“This is where Blackbird came from?” Parker said. “These pills have been all over the county, especially the colleges.”

“Blackbird has a whole upscale vibe going on with it. Users claim it’s a good safe high. I always thought the stuff came from a pristine lab somewhere in Cave Creek, or Fountain Hills,” Barry said.

“You take down Blackbird and assume their distribution, you’ve got a goldmine,” Parker said.

Parker glanced at the trailer hulk. Taking over a drug operation was one thing. But if the chemist behind the Blackbird pills was one of the two dead men inside, then there was another darker element in play here.

“You ask for the Medical Examiner?” Parker asked the deputy.

“No, sir. Watch Commander said you should make the call.”

Parker nodded. Barry picked up on the pause and reached for his cell phone. “On it.”

“Ask for Dr. White,” Parker said as Barry stepped aside to make the call.

The firefighters backed out of the trailer and shut off their hoses. The pumps on the engine whined down to a stop. A fire captain in a white helmet stepped away from the engine and unbuttoned his heavy turnout coat. Parker recognized the captain from a callout last year near the boundary of the Hummingbird Wilderness. Two bodies were found in an abandoned mining shack. His name tag read, Drucker.

“Detective, I can always count on you to keep us on our toes. Had to use all our hazmat protocols on this one with potential drug exposures and explosive materials in the place.”

“Explosives?” Parker said.

“Let me show you.” The fire captain started walking back to the trailer.

“Can’t you just tell me about it?”

“Just put on your big boy pants and come with me, detective,” Drucker said.

Barry had finished his call, and Parker gestured him over. “The captain has something to show you.”

Drucker grinned. “That’s how it’s gonna be, huh?”

“His case,” Parker said.

“What’s you got?” Barry asked once he arrived at the trailer.

The odor from the charred insulation, plastic, and rodent droppings was intense ten feet from the trailer door.

The fire captain brought up an image on a tablet device. “Check this out. Far right corner, on the floor. A ragged hole in the trailer’s thin metal skin shown in the picture.”

Parker’s eye drew to the four small cardboard boxes on the warped floorboard. The label on the containers in large red letters read, 12-gauge 00-Buckshot.

“Shotgun shells? That’s your explosive?” Parker said.

“One box cooked off a round. The fire started in the corner of the trailer—outside actually.”

Barry peered at the screen. “The fire didn’t start from inside with whatever they were cooking?”

Drucker shook his head. “Looks like someone tossed a couple road flares under the trailer chassis and ignited the scrub, trash, and some loose flooring material.”

“Safe to go in?” Barry asked.

“It is. We put an ion detection beacon inside and it’s reading no residual meth precursor chemicals, no fentanyl, but we did get a hit on other known opiates. I’d wear a M-95 mask to be safe.”

“Not much chemical residue. Doesn’t that strike you as a little off, if Blackbird was being made here? Labs are usually covered in the stuff.” Parker asked.

Barry donned an M-95 mask. “The Medical Examiner will be here in twenty minutes. Our crime scene techs should be here before then. They were finishing up a robbery call out in Carefree.”

As Parker and Barry entered, the trailer listed under their weight. As Captain Drucker explained the fire damage inside was rather minimal. The heat melted a few plastic tarps in the corner, but the bodies were untouched by the flames. Unusual if the fire was started to get rid of the evidence inside, Parker thought.

The dead man nearest the door leaned against the back wall. A pattern of gunshot wounds, eight that he could see, tore through the man’s chest and abdomen.

To the left, inside, partially under a long worktable, the second body lay sprawled on its back. The man’s face was missing, or most of it. Bone, brain tissue, and teeth were visible at a glance. Round holes behind the dead man meant he was gunned down at close range while his assailant stood over him.

Barry began shooting photos with his cell phone. While he was occupied, Parker spotted a blue backpack a few feet from the first dead man. There was something familiar in this plain blue model.

Parker took his cell phone and snapped a photo of the backpack as it lay in the blood spatter of the first victim. The backpack didn’t have spatter on it, which meant it landed thereafter the drug dealer was shot.

Turning the backpack with a glove-covered hand, Parker noticed a tag on one of the shoulder straps. He didn’t need to read it to know where it came from. It belonged to his son, Miguel.

***

Excerpt from Darkness Falls by James L'Etoile. Copyright 2026 by James L'Etoile. Reproduced with permission from James L'Etoile. All rights reserved.

 

 

Author Bio:

James L'Etoile

James L’Etoile uses his twenty-nine years behind bars as an influence in his award-winning novels, short stories, and screenplays. He is a former associate warden in a maximum-security prison, a hostage negotiator, and director of California’s state parole system. His novels have been shortlisted or awarded the Lefty, Anthony, Silver Falchion, Macavity, and the Public Safety Writers Award. Illusion of Truth, Sins of the Father, and Darkness Falls are his most recent novels. James also serves as the Executive Vice President of Mystery Writers of America.

Catch Up With James L'Etoile:

JamesLEtoile.com
Prison to the Page Newsletter
Amazon Author Profile
Goodreads
BookBub - @crimewriter
Instagram - @authorjamesletoile
Threads - @authorjamesletoile
X - @JamesLEtoile
Facebook - @AuthorJamesLetoile
BlueSky - @jamesletoile.bsky.social

 

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Thursday, September 24, 2026

The CUPID Dating Agency Collection by Celia Breslin Excerpt & Giveaway


The CUPID Dating Agency
Angel Romance Collection 
Books 1-4
Celia Breslin 

MEDDLING MATCHMAKERS LEAD TO HEAVENLY STEAM.

Four celestial warriors. Four potential mates. One tempting collection.

Welcome to The CUPID Dating Agency…

A WARRIOR’S KISS

The cupids nudge a stoic warrior and a commitment-shy introvert in the direction of true love, but hundreds of Hell’s servants intent on destruction and mayhem stand in their way…

Grumpy Sunshine * Opposites Attract * He Falls First

“A wild ride of action and sexy times!” —Virginia Nelson, USA Today Bestselling Author

A DEMON’S EMBRACE

With hell beasties on a rampage, the cupids team up a snarky rogue demon with a by-the book warrior-class angel for a partnership that might extend far beyond one job for Heaven.

Enemies to Lovers * Secret Crush * Forced Proximity

“Zara is a total badass, and I love Stryker’s banter and snarkiness. A marvelous read!”—Georgia Lyn Hunter, author of Fallen Guardians & Warlords of Empyrea series

AN ANGEL’S OBSESSION

Ordered by the cupids, a duty-bound angel must work with a Celtic storm god to resolve the mayhem he caused on Earth and in the Underworld, but that’s nothing compared to the god being her ex-boyfriend…

Second Chance * Forced Proximity * Immortal Pining

“A super-enjoyable read. Love the characters and the world!”—C. J. Burright, author of Druid Cursed & the Dreamcaster series

AN ANGEL’S TREASURE

When the meddling cupids try to keep a warrior angel and his baker bestie apart, it may take a miracle—or hundreds of party-crashing wendigos—to flip the friends into lovers…

Friends to Lovers * Secret Crush * Slow Burn

“Angelic sex was never so sinful, highly recommend!” —Virginia Nelson, USA Today Bestselling Author

The CUPID Dating Agency is a multi-author novella series intended for adult readers. This collection brings together all four CUPID Dating Agency stories by Celia Breslin, featuring wicked-smart heroines, big-hearted alphas, supernatural shenanigans, and steamy romance. Grab your copy today!


Excerpts

 

A Warrior’s Kiss, Collection Story #1 in the novella collection:

 (Nicky and Zeke’s First Meet)

 

“Think he’s dead?” The whispered question quieted his internal whining.

Nice voice. Soft and smooth, like velvet. Feminine. Clearly, he wasn’t alone.

“He sure looks dead.” A second woman replied, louder and with a chuckle.

He suppressed a scowl and kept his eyes closed. She thinks this is funny?

Bodies shifted behind whatever his head had cracked into, edging closer to either side of him.

“There’s no blood, though,” she of the velvet voice murmured. “Shouldn’t there be blood? […].”

She came to a halt near his head, her body heat and peaches-and-honey scent saturating his senses. He should open his peepers and say something, see if the female looked as good as she sounded and smelled.

Shit. Where had that reaction come from? He had no room in his life for a woman, especially not a mortal woman.

“Maybe we should check for a pulse,” the one Peaches had called Maya suggested.

“I’m not touching his body.”

Fast reply from Peaches. Jesus, did he look so horrible? And double Jesus, why did her opinion matter? He must have hit his head harder than he imagined.

======

A Demon’s Embrace, Collection Story #2

(Stryker and Zara's Slow Burn)

Location: Charon's boat, River Styx, the Underworld...

 

The boat heaved upward as if struck from below, sending her airborne. Before she could conjure her wings, Stryker shot up and snatched her around the waist, hauling them both to the deck.

Flat on his back with her sprawled atop his hard body, he grinned, much too pleased with himself for her liking. “Told you it gets rough,” he shouted over the rush of water. “I never lie to you, Angel Face.”

“That in itself is a lie,” she shot back, wedging her fingers in the gaps between the bone flooring and gripping tight while the chopping river tossed their ride.

He laughed but the sound was lost in the great roar of the river.

“Buckle up, baby.” Stryker held her tight to his chest. The boat bucked upward and bashed down, again and again. Freezing water sprayed everywhere, drenching them in seconds.

Cheek to cheek, Stryker clutched her close with a hand cupping her head and one massive arm banded around her torso. “Hang on Angel Cake, I’ve got you.” Warmth slid into her quivering body, a soothing heat wafting from the demon. “Nice trick, right?” he murmured into her ear, lips grazing her skin.

Teeth chattering, she didn’t reply, too caught up in the sensation of his surprisingly soft lips on the shell of her ear.

Desire danced through her, followed fast by denial. No. Please, no. Eternal enemy. Archnemesis. But her treacherous body relaxed against his.

“Yes, baby. That’s it.” His hand slid to her nape, and he exhaled against the sensitive skin of her neck, setting off a flurry of butterflies in her stomach.

Nothing good could come of a tryst with a demon. It didn’t matter how loudly the hum chimed in her, or how wonderful his hard body felt under hers, they couldn’t possibly—

Oh, no, now his clever fingers kneaded the knots in her muscles, massaging the tension from her neck and shoulders, making her melt.

His warm lips brushed her ear once again. “Angel…”

Lord help her, she wanted him.

 

===========

 

 

 

An Angel’s Obsession, story #3

(Luke and Elle’s First Re-meet)

 

Luke was cannon-balled out of slumber by the sudden presence of one hundred-and-fifty pounds of hound landing on his back.

Facedown atop a supremely soft mattress with his arms stretched wide and his head hanging off the foot of the bed, it took him a second to rally his speech center. “What the actual bloody hell, Bolt?”

Bolt ignored him, bouncing around Luke’s body, pitching him side to side, up, down, up, down.

“For feck’s sake.” What the double bloody hell was Bolt on about with all the yapping and yipping and bashing of Luke’s kidneys with his big paws?

Luke rolled onto his back. “Enough, Bolt. Sit.”

Bolt whined and smacked one large paw down upon Luke’s bare chest. Ouch. “Duuude,” he drawled. “Chill.”

Fingers snapped, silencing his dog lickety-split.

Who possessed the ability to boss his animal around and convince the stubborn bugger to obey?

Only one person in any dimension wielded this kind of puppy power. But no, it can’t be her.

With his heartbeat jackhammering in his chest, he sucked in a deep breath, soaking in the unique floral scent of the woman who broke his rarely used heart, hoping this was no mere post-party hallucination.

“Gabrielle,” he whispered. God’s messenger and elite warrior, the angel he’d admired and cherished. “Elle.” The woman he’d let down, and who ultimately walked away.

A grin spread over his face.

“Angel baby. You’re here.” He cranked open his eyelids to gaze up at her in wonder.

Lightning crackled in the depths of her glittering green eyes as she loomed over him, her unhappy expression promising pain. Yep, his angel was clearly not as thrilled as he was about this unexpected reunion.

A snarl escaped his angel’s throat, and her arm shot downward, her fingers of steel snagging him by the throat and squeezing his windpipe.

“Luke.” She uttered his name as if it were the vilest curse word in any dimension, then lifted him with little effort and slammed him up against the wall…

 

================

An Angel’s Treasure, Story #4

(Raz and Maya in the Friend Zone)

 

Maya smacked into a wall of muscle.

“Raz!” She palmed his hunky chest and pushed.

He didn’t budge. Instead, he covered her hands with his much larger ones, trapping them against his pecs while he backed her against the fridge.

 

“Move.” Wow, that order came out more like a question, and good grief, could her voice sound any wispier? All breathy and needy? But damn it, touching him was doing all sorts of lusty things to her insides, again, and they were not in the right place or time to be—

Wait. Hold the horniness. There was never a right time for them. Friends. Friend Zone. The platonic zone.

Raz towered over her, his pretty eyes practically searing into her soul. “Hey, you all right?” His warm, warm fingers stroked the backs of her hands while the cold metal of the fridge sent goosies down her spine.

“I’ll be fine.” She yanked her hands out from under his and attempted to skirt around him, but he planted his stupid big hands against the fridge on either side of her, towering over her, caging her in.

Damn it, he smelled so good, like clove, pine, and citrus. “I need to check on the cookies.”

“No, you don’t. You just put in that batch.”

“Again, I ask, what do you know about baking? Zip, that’s what.”

“As much as I enjoy our banter, TT, something is up, and we’re not moving until you tell me.”

His expression softened. “Let me help.”

“I’m not some problem you need to fix.” She ducked under his arm. This time, he let her go, much to her relief. And to no small amount of disappointment.

She busied herself arranging the cooled batch of cookies on a platter.

“Maya.”

Oh, man. He said her actual name instead of one of the bazillion nicknames he seemed to have for her. She nibbled on the side of her lip and tore her gaze off the cookie pile to face the source of her never-ending torment.

Brow furrowed, he stared down at her, concern clear in his eyes. They always darkened to forest green when he was upset, which was a rare occurrence for the upbeat, positive man. Except when he was in battle mode, like the time a bunch of creatures from Hell invaded Petaluma, and Raziel made his fiery sword appear out of nowhere then killed every scary monster that tried to attack her—

Raz tapped her forehead with his index finger. “You’re thinking very hard. Too hard for a party. What’s going on in that clever mind of yours?”

“Nothing.”

“Mm-hm.” He scanned her face. “You have a little something on your…” His gaze locked onto her cheek, and before she could so much as blink, he stroked his thumb over her skin, right near her lips.

Lips that wanted to be kissed sooooo damn badly. By him.

Shit. She grabbed his wrist and opened her mouth to lay into him as hard as her bantering skills would allow, to stop herself before she snaked her hands around his neck and tugged his face closer to hers to kiss—

Chimes trilled.

The air around them warmed.

Fireworks burst to life near the vaulted ceiling, and a scroll winked into existence in an explosion of pink and gold sparkles.

Holy sugar sprinkles. The cupids had crashed the party.


About the Author:

Celia Breslin lives in San Francisco, California, USA, with her family, including three feisty felines who like to stalk across her keyboard while she’s hard at work crafting urban fantasy, sci-fi and paranormal romances. Her current creature obsessions are wolf shifters, the Fae, vampires, warrior-class angels, and cyborgs, and her action-packed stories include some of her favorite tropes: fated mates, second chance, grumpy sunshine, opposites attract, friends to lovers, enemies to lovers, and more.

When not glued to her laptop, Celia likes to work out, read books (of course!), hang with her family, and binge-watch sci-fi and fantasy TV shows and movies. Matcha lattes keep her fueled for All The Life Stuff!

Website: http://www.celiabreslin.com       









Delaware Keepers / Life at the Edge of the Sea by Dave Tabler Review & Interview


 

Book Details:

Book Title:  Delaware Keepers / Life at the Edge of the Sea by Dave Tabler
Category: Adult Non-Fiction, 224 pages
Genre: History
Publisher: Dave Tabler
Publication Date: June 1, 2026
Content Rating:G: no bad language, no sex scenes


Book Description:


Delaware Keepers is a bottom-up social history of the men and women who tended Delaware's lighthouses from the colonial beacon at Cape Henlopen in 1769 through the automation era of the 1940s. Its central argument is a deliberate inversion of a familiar image. The popular lighthouse keeper—the bearded hermit slowly losing his sanity in storm-battered isolation—is, in Tabler's words, "dead wrong." Drawing on newspaper archives, government and inspection records, and family papers, the book reconstructs keeping not as a story of madness and solitude but of community, family life, civic engagement, and quiet professionalism.

The book opens on its thesis in miniature: keeper George W. Duncan celebrating his 37th wedding anniversary at the Port Penn Range Light in 1907, surrounded by forty guests and a brass band—a federal employee at the center of community life rather than its lonely edge. Delaware's compact geography makes the case plausible: short coastline, numerous inland waterways, and stations often within walking distance of town, with even offshore posts like Fourteen Foot Bank deliberately crewed by three men to forestall the very isolation the myth romanticizes. Tabler doesn't flatten the picture, though—remote, icebound posts like Mahon's Light and Reedy Island could genuinely isolate, and the work carried real risk from storms, wrecks, and accidents.

Across sixteen chapters organized into five chronological parts, the narrative traces keeping as it emerged as an occupation, matured into a respected federal career, and then vanished under automation:

  • Founding the Lights (1769–1850s) — colonial origins, John and Elizabeth Dickerson at the first Cape Henlopen beacon, and Abraham Hargis writing desperate letters to Thomas Jefferson about inadequate pay.
  • Forging a Network (1850s–1880s) — the lights through the Civil War and the professionalization of keeping into a genuine career.
  • The Golden Age of Keeping (1880s–1940s) — the profession at its height, its costs, and its public visibility.
  • The End of an Era (1940s–1970s) — automation and the disappearance of the resident keeper.
  • Preserving the Legacy (1970s–present) — how families and communities carry the memory forward.


The human thread runs throughout: Hannah Hill dragging a boat across broken ice to fetch a doctor for her ailing husband; Irvin and Janie Lynch raising eight children at Mahon's Light; the Spencer children at Liston Range, for whom a station with no plumbing or central heat was simply home. The closing chapters turn to memory itself—how granddaughter Penny Czerwinski turns Dorothy Lynch Morris's recollections into classroom presentations (complete with Toby, the coal-chute-riding pig), and how preservation has shifted from maintaining structures to transmitting living culture.

Beyond maritime history, the book frames larger questions: how skilled occupations earn legitimacy and respect, what happens to experienced workers when technology renders them "unnecessary," how communities lose institutional memory when federal employees vanish from daily life, and why we mythologize obsolete professions while forgetting the people who actually performed them. It positions itself not as a technical catalog of lighthouses—those exist—but as a recovery of the keepers as real, embedded, civic human beings.

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Meet the Author:

Ten year old Dave Tabler decided he was going to read the 'R' volume from the family's World Book Encyclopedia set over summer vacation. He never made it from beginning to end. He did, however, become interested in Norman Rockwell, rare-earth elements, and Run for the Roses.

Tabler's father encouraged him to try his hand at taking pictures with the family camera. With visions of Rockwell dancing in his head, Tabler press-ganged his younger brother into wearing a straw hat and sitting next to a stream barefoot with a homemade fishing pole in his hand. The resulting image was terrible.

Dave Tabler went on to earn degrees in art history and photojournalism despite being told he needed a 'Plan B.'

Fresh out of college, Tabler contributed the photography for "The Illustrated History of American Civil War Relics," which taught him how to work with museum curators, collectors, and white cotton gloves. He met a man in the Shenandoah Valley who played the musical saw, a Knoxville fellow who specialized in collecting barbed wire, and Tom Dickey, brother of the man who wrote 'Deliverance.'

In 2006 Tabler circled back to these earlier encounters with Appalachian culture as an idea for a blog. AppalachianHistory.net today reaches 375,000 readers a year.

Dave Tabler moved to Delaware in 2010 and became smitten with its rich past. He no longer copies Norman Rockwell, but his experience working with curators and collectors came in handy when he got the urge to photograph a love letter to Delaware's early heritage.

It turned out to be the start of something. Tabler has since written Delaware Before the Railroads, Delaware from Railways to Freeways, Delaware from Freeways to E-Ways, Delaware at Christmas, Delaware Behaving Badly, and Delaware Keepers.

Interview 

1. What literary pilgrimages have you gone on?

The most recent one happened in my own backyard. The State of Delaware preserves John Dickinson's boyhood mansion on the St. Jones River, about twenty minutes from my home in Dover. Dickinson was a colonial giant. He served as president of Delaware, then as president of Pennsylvania, and he was a delegate to both the Continental Congress and the Constitutional Convention of 1787. Not many men can claim they governed two states. His contemporaries admired him as a man of exceptional character and intellect, though his cautious, conciliatory temperament left moderates praising him and radicals fuming.

What drew me to Dickinson's home was a single room. The state has recreated his study there, and on its writing table sit facsimile pages of his “Letters from a Farmer in Pennsylvania,” twelve essays published in 1767 and 1768 under a pseudonym. He actually penned them at his desk in Philadelphia, but this study is where the man behind the Farmer took shape. Writing in a reasoned voice that appealed to law and history, Dickinson argued that Parliament had no right to tax the colonies without their consent. The essays laid intellectual groundwork for the Revolution years before anyone fired a shot.

The study Delaware presents is a modest corner chamber with white plaster walls, wide plank floors, and two framed maps for decoration. A slant-front walnut desk stands open against the wall, its pigeonholes stuffed with rolled papers. On the writing table nearby sit a quill, a leather document roll, and those pages in Dickinson's crowded cursive. Everything about the space says small and quiet. That is the very antithesis of the mind that spun out these essays, and standing there, the contrast is what stays with you. A room this plain produced arguments that rattled an empire.

2. What is the first book that made you cry?

Flaubert's “Madame Bovary.” I read it as a teenager, at an age when I was desperate to find any kind of romance in my own awkward world, so Emma's anguish went straight through me. She is trapped in a stultifying marriage without a flicker of passion in it, and I wanted badly for her to find what she was starving for. Instead she spirals. The playboys use her and toss her aside. The village wags scorn her. Every door she tries is already bolted shut. By the time she swallows the arsenic, the act feels less like a choice than a destination, and that inevitability is what stayed with me. Flaubert never raises his voice once in the whole novel. He just closes the doors, one by one, and lets you watch.

3. Does writing energize or exhaust you?

It depends on the day. My daily goal when writing a book is 1,000 words. Simple number. Reasonable number. A number any functioning adult with a keyboard should be able to hit. Some days the 1,000 words pour out and I knock off early feeling like Hemingway. Those days energize me. Other days I spend nine hours arm-wrestling a single paragraph, and I stagger away from the desk with 494 words to show for it. Every writer knows this push-me-pull-you. The word count measures the writing. It has absolutely no idea what the writing costs.

4. What is your writing Kryptonite?

Lately it's the public conversation around writers and AI. I'm in the camp that isn't terrified of the technology, and I don't believe using it compromises a writer's integrity. I don't use it for push-button writing. I use it to sort out ideas and for technical chores like mechanical proofreading. What wears me down is the assumption that any writer who touches it must be cutting corners.

The uproar reminds me of the chaos Photoshop caused in commercial photography when it first appeared. Earlier in my life, in a different career, I worked with Al Francekevich as a client. He was a classically trained New York commercial photographer, originally known as a leader in special effects work done entirely in camera. When digital tools reshaped the field, he made a decisive pivot. He treated Photoshop as an expanded creative language and moved from single-frame problem solving to layered compositing, digital painting, and graphic color work, producing images no camera alone could record. His evolution from purist technician to digital experimenter helped bridge the gap between film-era craftsmanship and photo-illustration. He died at 87, still respected as a forward thinker.

The fears about AI, what it is, what it can do, who it will replace, will sort themselves out the way the Photoshop panic did. Writers who embrace the change on their own terms will survive it, the way Francekevich did in the photography field.

5. Did you ever consider writing under a pseudonym?

So far, no. Pseudonyms are useful if you need to hide your identity, which I don't. They're useful if you write in multiple styles whose audiences would disapprove of you if they knew you wrote for the other camp. And they're probably useful if you're known for one style and want to dip your toe into a new direction without committing to it. None of those situations applies to me, so my books go out under my own name.

That said, I'll tip my hat to the finest pseudonym in American history, which belongs to the man whose study I described a few questions back. When John Dickinson took aim at Parliament, one of the most celebrated lawyers in Philadelphia signed himself “A Farmer.” The disguise let his arguments stand on their own, and readers across the colonies took a plain farmer's word over what they might have dismissed as a rich attorney's special pleading. Proof that a pseudonym, used well, can do real work.

6. What other authors are you friends with, and how do they help you become a better writer?

I'm kind of a lone wolf. Always have been. I don't hang out with other authors, and I don't belong to a writing circle. I'm not anti-social, I just keep my own company. My teachers have been the books themselves. Reading the greats has always done more for my writing than any workshop could, and in Delaware history that means writers like John Munroe, Carol Hoffecker, W. Emerson Wilson, and Bill Frank. Munroe showed how scholarly rigor and readable prose can live in the same book. Hoffecker proved that a city's ordinary neighborhoods deserve the same careful attention as its mansions. Wilson and Frank were newspapermen who wrote history in columns, and they taught me that a Delaware story lands hardest when it's told plainly, at human scale. All four set the standard I write toward.

7. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

Both. Every book I write begins with the word “Delaware,” and each one stands on its own. But the connective tissue running through all of them is a single idea: this small piece of land has produced thousands and thousands of fascinating stories over the centuries. Carl Hiaasen works this way with Miami. Alice Munro did it with rural southwestern Ontario. There's a real discipline in limiting yourself to a sphere that looks constrictive to the outside world and then diving deep in that arena. It's much harder than jumping around geographically and thematically. Young writers often want to show the world how flexible they are. Look at me! I can write in any genre! But the world isn't asking whether you're flexible. It wants to know your specialty. What is it that only YOU can bring to the table?

8. What authors did you dislike at first but grew into?

Dickens, for sure. I had to read “Great Expectations” in high school and punted. Cliff's Notes carried me through that assignment. Then about a dozen years ago I saw a live stage version of “A Christmas Carol,” and the show program mentioned that Dickens often wept aloud while writing it. That stopped me cold. I realized my high school quarrel had been with the 1840s British prose style, and I'd let the style hide the man. Dickens had no way to know his work would one day sit atop the pile of English language novels. He was a man working through his demons at a writing desk. After the show I picked up “Great Expectations” and read it again. Dickens shows us how easily people wound the ones they love, and how hard, yet how necessary, forgiveness becomes. Decades of actual living confirmed those lessons. They were there in plain sight all along, invisible to a sixteen-year-old who hadn't traveled any of life's hard roads yet.

9. What's your favorite under-appreciated novel?

Can I confess to being shaped at least as much by the short story as by the novel? Who, what, when, where, why. It's probably what drew me to journalism. My wife and I kept a subscription to “Story” magazine for years, and we'd regularly read a story aloud to each other in the evenings. The one that influenced me most is O. Henry's “The Gift of the Magi.” A wife cuts off her long hair and sells it to buy a gold chain for the pocket watch her husband prizes. He, meanwhile, has sold the watch to buy combs for her beautiful hair. Readers today file it under quaint Christmas sentiment, and I think that's why it goes overlooked. Look again at the machinery underneath. Two people acting out of pure love, and each one's sacrifice cancels the other's gift. History is like this: the best intentions often go bad.

10. As a writer, what would you choose as your mascot/avatar/spirit animal?

Ha! The very thought makes me cringe, because I already tried it once, and it bombed terribly. In junior high school the most popular boy in French class was a guy named Herbert. On his backpack he declared, in bold letters, “Air Bear.” Say “Herbert” with a French accent and you'll hear it: air-BEAR. The class thought this was genius. I was nowhere near as clever as Herbert, but I desperately wanted to be. So on MY backpack I scribbled “Hot Shot Ocelot.” French class looked at me blankly. Within weeks I was begging my parents for a new backpack. I haven't attempted a spirit animal since.

11. How many unpublished and half-finished books do you have?

One book is nearly done and sitting with my editor as we speak. It traces Delaware innkeeping from the colonial tavern to the corporate hotel brand, and it should release in June 2027. Beyond that, two more are on the drawing board. One is about Delaware's oystermen, the men who dredged the bay when oysters were called white gold. The other follows the evolution of Delaware's medical system, which owes a surprising debt to the mosquito. Disease-bearing mosquitoes thrived in Delaware's marshes and drove the state to confront illness early. Delaware formed the third state medical society in the nation, and I suspect the mosquito deserves much of the credit.

12. What did you edit out of this book?

Anything that lacked a named Delaware person at its center. My research files for “Delaware Keepers” were full of material I found genuinely interesting: wage statistics from the depression year of 1894, a Smyrna Times piece on channel dredging and the politics of lighthouse construction, even a reprinted British joke about a schoolboy who wanted to be a keeper so he could watch the wrecks go to pieces below. All of it hit the cutting room floor, and for the same reason. Statistics are anonymous. Dredging is about Congress. And the joke was the myth of lighthouse keeping, morbid romance viewed from a safe distance, which is exactly what this book works to strip away.

The cut that hurt was a 1908 news item about Mahon's Light, a station so isolated by snow and flood that the government finally installed a telephone. The reporter had fun with it: the snowbound keeper, hemmed in by ice with his food running short, could now ring up a Dover hotel and hear the dishes rattle as each course of a big dinner was served. I love that image. It stayed in the manuscript through two drafts. But the keeper in the story is nobody in particular, a hypothetical man invented for a newspaper's amusement, and my rule for this book was firm. The towers are the monuments. The people are the history. If I couldn't put a documented name at the center of a story, the story went. Even the ones that made me laugh.

13. If you didn't write, what would you do for work?

I answered that question for thirty years. I was an agent for commercial artists and photographers in New York City. It was a fun career, until it wasn't. In my twenties and thirties, the fresh young talent coming up was my age, and it felt like we were all on parallel paths to the same destination. By my fifties, the fresh young talent were my children's age. Not so fun. At this point, if I didn't write, I wouldn't chase yet another career. I'd probably do typical retiree things, gardening and travel. But my health is good and my brain is still intact, so writing is the thing!

14. Do you hide any secrets in your books that only a few people will find?

I'm not that kind of writer. No hidden ciphers, no Easter eggs. But I do love the way Agatha Christie handles hints and allegations, planting everything in plain view and letting the reader walk past it. That has probably seeped into how I present a segment, and so has the surprise-ending motif I absorbed from decades of reading short stories. So I suppose any secrets I hide live in the lead-up to the final punchline, where the pieces sit in the open, waiting for the last sentence to snap them together.

There's an example in “Delaware Keepers.” The chapter on Hannah Hill opens with a teaser: one winter night in 1937 she dragged a boat across broken ice at Reedy Island to find a doctor for her seriously ill husband, the keeper. Thirteen years later she sat before a congressional hearing, making the case for pension benefits for keepers' widows. Then I make the reader wait. The chapter walks through her twenty-seven years as a keeper's wife, the isolated stations, the losses, and finally the full account of that crossing, before her testimony lands in a single line: “There was nobody but the two of us.” By then the reader knows exactly what those eight words cost her. Not every story in a history book lends itself to that telling. When one does, I take the shot.

15. What is your favorite childhood book?

“The Runaway Bunny” by Margaret Wise Brown. A little bunny keeps announcing he'll run away, and his mother calmly answers that she will follow him wherever he goes. If he becomes a fish, she'll be a fisherman. If he becomes a bird, she'll be the tree he comes home to. As a child I couldn't have told you why the book held me the way it did. Now I can. Every child secretly wants to test the question: if I left, would you still want me? The book runs that test over and over, and the answer is always yes. A few years back I read it aloud to my ten-year-old niece, and this time the mother's side of the story ambushed me. She never begs him to stay. She just promises to find him, and the adult reading aloud knows what the child listening doesn't: the day comes when you can't follow. That little book got to me at five, and it got to me all over again at the other end of life, years before and years after Flaubert ever got to me.


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My Review: 
My father always wanted to visit a lighthouse. I think that they are beautiful and it amazes me how many lives lighthouses have saved. There is also the folklore of ghosts and pirates. Not to mention the lighthouses that have been mentioned in famous books and on television. I was pleasantly surprised to read actual accounts of these brave individuals that risked their lives during storms and fog. 
I also really liked that the author focuses on Delaware. I have driven through Delaware and now know of some historical sites to visit. Real life letters, pictures and logs were interesting to read about. Edgar A. Guest's poem really put into perspective what they dealt with. The footnotes were perfect if I want to research more. The author definitely peaked my interest to want to know more. I feel as though this book is informative enough to use as a reference for a thesis. The timeline at the end made me realize that they did this from Delaware 's early days to recent years with the advancement of technology. This is a great book for historians, travelers and anyone that really likes lighthouses.  I am giving this book a 5/5. I was given a copy, nevertheless all opinions are my own.