LAST DANCE BEFORE DAWN
by Katharine Schellman
May 25 - June 19, 2026 Virtual Book Tour
Synopsis:

The Nightingale Mysteries
Vivian Kelly has finally created a home and a family at the glamorous speakeasy known as The Nightingale, where no one cares who you are in the daytime. After all, in the underground world of 1920s New York City, everyone has a secret to keep, and they’re on the Nightingale's dance floor to leave those secrets behind. But sometimes it takes more than a dance to escape your past.
When a stranger from Chicago shows up at The Nightingale looking to settle old scores, Vivian and the Nightingale's owner, the mysterious and alluring Honor Huxley, send him packing. They soon discover, though, that the stranger was just a warning. Slowly, the people who have made The Nightingale their home realize that someone is following them. Hunting them. And that someone won’t stop until they unravel a mystery that’s been cold for years: a missing girl, a boy out for revenge, and a truck full of cash that disappeared in a job gone horribly wrong.
Vivian just wants to protect the people she loves, and she's willing to dig into the dirt of the past to make it happen. But some questions are safer left unanswered, and now that Vivian has built a family for herself, she has more to lose than ever before.
Now experience this Edgar Award–nominated historical mystery in paperback!
Praise for Last Dance Before Dawn:
"A lively, sprawling crime story that captures the vibrancy of the Roaring ’20s."
~ Kirkus Reviews
Book Details:
Genre: Historical Mystery
Published by: Minotaur Books
Publication Date: May 26, 2026 | Paperback
Number of Pages: 350
ISBN: 978-1250325822
Series: The Nightingale Mysteries, Book 4 || Amazon, Goodreads, Macmillan Publishers
Book Links: Amazon | Kindle | Barnes & Noble | BookShop.org | Goodreads | BookBub | Macmillan Publishers
Read an excerpt:
Manhattan, 1925
Everyone came to the Nightingale looking for something.
They didn’t have much else in common, the folks who snuck down the alley toward a single electric light that flickered like it had been forgotten for years and could burn out at any moment. You never knew who would whisper the password at the door under the light, who would make their way through the midnight velvet curtains that muffled loud laughter and louder jazz.
Maybe your family could have bought half of Fifth Avenue, or maybe you couldn’t even buy new shoes. More likely, you lived somewhere in between, with work that paid your bills and the hope, one day, of something a little more. At the Nightingale, it didn’t matter who you were in the daytime. If you could hold your booze and let loose on the dance floor and keep a secret for a stranger, you were in.
They came looking for excitement, for the thrill of breaking a law that no one liked anyway. They came to dance and drink and maybe find a new friend, the sort of friend who—¬ after a glass or three of champagne—¬ would meet them in a quiet corner to get a little bit friendlier.
They came because they loved the music, the way it curled through the air and carried them across the floor, the way the singer’s voice filled the room and made their hearts ache.
They came for the party. They came to escape.
If they were lucky, they could pretend that whatever waited for them back at home didn’t exist. They could lose themselves in the music and the arms of someone new. They could feel free, even if it would never last, because in that moment nothing mattered but the next dance, the next drink, the next hour.
If they were lucky, they found what they were looking for, and they left before trouble could find them.
But not everyone was lucky.
***
Vivian recognized the sound of danger before she even realized what she was hearing.
Twilight had settled on the city, humid and heavy and speckled with the glow of streetlamps. She and Beatrice Henry—¬ Beatrice Bluebird, as she was known at the Nightingale, where she sang six nights a week—¬ moved through it with the practiced carefulness of two women who were used to navigating New York’s streets alone. Their steps were quick, but their eyes were quicker, always on the lookout for a man who might be trouble or a cop who might be trailing them.
The Nightingale paid off the police weekly, like any other dance hall or juice joint. But everyone who worked there knew to be wary just the same.
It was that wariness that sent a prickle of warning down Vivian’s back when they were two blocks from the Nightingale’s back entrance.
“Bea—¬ ” Vivian tossed out a hand to stop her friend in the middle of the sidewalk. A few steps ahead of them, a cat yowled as it ran out of a narrow alley. “You hear that?”
For a moment, the only sound out of the ordinary was the distant grumble of thunder. Then Vivian heard it again.
“Look a little closer, pal.” The voice was low and menacing, snaking out of the shadows and clearly not meant to be overheard. “I want to make sure you and me is on the same page.”
“Viv—¬ ” Bea hissed, but Vivian couldn’t help herself; she took a step forward, just enough to peek down the alley.
Halfway down the narrow stretch of filthy brick walls, two men were just visible in the fast-¬ fading light. One had his back against a wall. He was the taller of the two, but he still shrank back from the menacing bulk of the second figure. That one loomed toward him, his wide shoulders cutting off any escape as he shoved some kind of paper toward the nervous man’s face.
“—told you, when I have something, I’ll let you—”
The menacing man shoved him against the wall, the gesture nearly careless enough to hide the violence of it. The voice broke off with a grunt of pain, but it had been enough. Usually, Vivian would have stayed far away from anything that sounded like a beating and wasn’t her business. But she recognized that voice.
“Don’t interrupt,” the menacing man snarled. “My boss don’t take kindly to rude fu—”
“It’s Spence,” Vivian hissed.
Bea tried to pull her away. “It’s not our business. We can tell Silence or Benny,” she whispered, naming two of the bruisers who worked at the Nightingale keeping customers—¬ and anyone else who needed it—¬ in line. “They’ll come handle it.”
“That’ll take too long.” Vivian shook her head, pulling away from Bea’s cautious hand and running down the alley toward trouble. “Hey! Leave him alone!”
The bruiser barely glanced over his shoulder at her, just cocked his fist back and drove it, almost casually, into the nervous man’s stomach. He doubled over, heaving and gasping for air, as his assailant tipped his hat mockingly. “We’ll be seeing you soon, boyo. You can count on it.”
He was gone before Vivian could reach them. She stood, panting and staring at the gap between buildings where he had disappeared. A drizzling rain began to fall, plastering her hair against her cheeks. She wasn’t dumb enough to go after him.
“You okay, Spence?” she asked instead, turning toward the remaining man as he braced his hands on his knees.
“Swell,” croaked the Nightingale’s second bartender, a lanky, mouthy, handsome grump. “What the hell are you doing here?”
“Apparently chasing off the fella who was about to beat you to a pulp,” she said, stung. Spence had been working at the Nightingale all summer and still hadn’t managed to endear himself to any of the other staff. But Vivian had expected at least some gratitude. Instead, he scowled at her like she was the one who had just punched him in the stomach, not the one who had run the attacker off. “But no need to say thanks or anything.”
He hauled himself upright, wincing. “I had it handled, you know,” he said, still sounding resentful. “I didn’t need a rescue.”
“Sure you did, pal,” Bea said, joining them at last. “That was a stupid thing to do, by the way,” she added, glancing at Vivian as she opened her umbrella and held it over both their heads. “Be glad he didn’t have a friend waiting to beat the stuffing out of you too.”
“My stuffing’s doing just fine,” Spence groused, pushing his wet hair off his forehead and straightening his jacket and tie.
“What was that about?” Vivian asked, laying a hand on his arm. “Spence? Are you in trouble?”
***
Excerpt from LAST DANCE BEFORE DAWN by Katharine Schellman. Copyright 2025 by Katharine Schellman. Reproduced with permission from Katharine Schellman. All rights reserved.
Author Bio:

Katharine Schellman is an award-winning author of historical crime fiction, including the Nightingale Mysteries and the Lily Adler Mysteries, whose work has been called “worthy of Rex Stout or Agatha Christie” (Library Journal). Her books have been nominated for an Edgar and a Silver Falchion, and she has won a Zibby Media National Book Award for "Best Book for the History Lover." A former actor, onetime political consultant, and graduate of William & Mary, Katharine lives and writes in the mountains of Virginia.
Interview:
- When did you first realize you wanted to be a writer?
I was about six years old when I realized that real people actually wrote the books I was reading, and I almost immediately told my parents that’s what I wanted to do when I grew up.
- How long does it take you to write a book?
That depends: am I on a deadline? Then I can often write the first draft of a book in about three months. (Three exhausting months.) If I’m just working on something new without a deadline, I’m often writing in between time spent on other projects, which means it can take me a year or more to get a first draft written.
My first book, before I had either an agent or a publisher, took several years to write and rewrite. I’ve gotten much faster since then.
- What is your work schedule like when you're writing?
Very disorganized. Fiction takes up about half of my work time, and my other other writing and editing also comes with deadlines that I’m juggling. Plus, I’m working around school and daycare schedules, marketing, work travel, and all the general life stuff that everyone has to deal with. Four days a week, I have work time from 9:00 am to 2:00 pm. But what I’m working on during that time varies widely.
- What would you say is your interesting writing quirk?
I think I’m the only writer I know with no pets. There are just too many allergies in my family to make it worthwhile. Maybe we’ll get a goldfish one of these days.
- How do books get published?
It’s different for every book! I’m traditionally published, which means I have a lot of collaborators helping me handle the different moving pieces, from developmental editing to ebook formatting to cover design to handling piracy takedown notices. For someone who is self-published or works with a hybrid publisher, the process looks very different.
But no matter what type of publishing model you use, it’s going to take time and energy to get a book from idea to bookshelf.
- Where do you get your information or ideas for your books?
I write historical mysteries, which requires a good amount of research as I’m developing my worlds and characters. That takes up a lot of time both before and while writing that actual book.
Ideas are much easier; I don’t know a single writer who struggles to come up with ideas. The trick is narrowing down which ideas are going to make good books. It’s not always the ones you expect!
- What do you like to do when you're not writing?
I try to have lots going on in my life outside of writing. Creative work needs fuel, and everyone needs hobbies. I love to garden (though I’m not that good at it yet) and work out. I spend a lot of time with my family or traveling with friends. I read a ton (no surprise there), play piano, and love to bake.
We’re also a hosting family, so we love having people over, either for a long visit or just for a casual get together. One of my favorite things is having friends with kids come over for a casual dinner at the end of the workday. The kids entertain each other, and the adults get to relax and have a real conversation.
- How many books have you written? Which is your favorite?
I have nine published books, and I’ve just written a tenth (the sixth book in my Lily Adler mystery series) that is scheduled to come out in February 2027. I also wrote 2.5 books in my teens and early 20s that will never see the light of day because they were terrible.
- Do you have any suggestions to help me become a better writer? If so, what are they?
Everyone needs editing! Creative work thrives in community, and getting feedback from writers whose work you respect is one of the best ways to grow in your craft.
I don’t think writers need to write every day (I certainly don’t). But I also frequently remind myself that one typed page is about 300 words. So if you write only 300 words a day, then after a year, you will have 365 pages, and that’s a book. If you write 600 words a day, it’ll be drafted in six months!
- What would you like my readers to know?
I love hearing from readers! Writing is often solitary work, but getting to meet readers, whether virtually in person, makes the solitude worthwhile.
Catch Up With Katharine Schellman:
www.katharineschellman.com
Amazon Author Profile
Goodreads - @katharineschellman
BookBub - @katharineschellman
Instagram - @katharinewrites
Facebook - @katharineschellman
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